Saturday, September 08, 2007

History of Hard Rock/Heavy Metal: Molly Hatchet

Molly Hatchet is an American Southern rock band formed in Jacksonville, Florida in 1974, known primarily for their hit song "Flirtin' with Disaster" from the album of the same title. The band, founded by Dave Hlubek and Steve Holland, took its name from a legendary Southern prostitute who supposedly mutilated and decapitated her clients.

The original group included vocalist Danny Joe Brown, three guitarists Dave Hlubek, Steve Holland, and Duane Roland, bassist Banner Thomas, and drummer Bruce Crump.

Prior to the band's signing with Epic Records, they often toured the Florida roadhouse and bar circuit. Originating from the same city as the most well-known act in the Southern rock genre, Lynyrd Skynyrd, Molly Hatchet shared influences and inspiration with them as well as another up-and-coming Southern Rock act, .38 Special. The brother of Lynyrd Skynyrd lead vocalist, Ronnie Van Zant on lead vocals (Donnie Van Zant). Because of this, .38 Special enjoyed some influential connections in the music business, referring Molly Hatchet to manager Pat Armstrong. His interest in Molly Hatchet led to a record deal with Epic Records and bringing in Tom Werman as a producer. Werman was already well-known in the industry for working with other popular acts of the period, including Cheap Trick and Ted Nugent.

The result of this teaming of a producer known for working with straight hard-rock acts with a Southern-influenced band led to a new development in the Southern rock genre. Combining boogie, blues and hard rock, Molly Hatchet's sound was differentiated from more country-influenced acts such as The Outlaws.

In 1978 the band recorded and released its first album eponymously titled Molly Hatchet. Then in 1979, Flirtin' with Disaster was released. Molly Hatchet proceeded to tour behind the record and gained an increasing fan base. Some observers note that certain "success syndrome" problems led singer Danny Joe Brown, whose voice and persona had defined the act to that point, to leave the band at the end of the 1970s.

In 1980 Brown left the group to form The Danny Joe Brown Band (with future Molly Hatchet guitarist Bobby Ingram) and was replaced by vocalist Jimmy Farrar. Along with Farrar came a new approach to the band's sound. The earlier albums are said to feature more variation in guitar tone and style, along with a more overt southern influence, which changed with the addition of Farrar on vocals.

With the success of a more, harder-rocking "Beatin The Odds" release, the band ventured even farther away from their original sound. By 1981, Molly Hatchet had almost completely abandoned their original style of 1978 for a straight ahead rock style exhibited on the Take No Prisoners release of the same year. This album had a less-than-warm reception from many of the fans of the original sound and while the band was still successful on the touring circuit, Farrar left the act in 1981.

Brown rejoined the band in 1982 and Banner Thomas left and was replaced by Riff West. B.B. Bordan (also known as B.B. Queen, playing drums for Mother´s Finest) replaced Crump on Drums. In 1983, a new album was released titled No Guts... No Glory. Steve Holland left and was replaced by keyboardist John Galvin. This period saw the band return to its more overt southern style it had displayed on its debut record in 1978.

However, with the addition of keyboards into the mix, the band managed to take this sound to an even more orchestrated approach on some songs such as "Fall of the Peacemakers". Critics hailed the "No Guts....No Glory" album as the band's true return to form, but southern rock no longer enjoyed the widespread appeal it had previously. As a result, the record went largely unnoticed, in contrast to the glory years of 1979's "Flirtin' With Disaster", but did rejuvenate interest from the band's fan base, who had started to drift after the uncharacteristic "Take No Prisoners" album of 1981.

Despite the numerous lineup changes, the group still records and tours on a consistent basis.

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