History of Hard Rock/Heavy Metal: Quiet Riot

For a very brief moment, Quiet Riot was a rock & roll phenomenon. Famously described as the first heavy metal band to top the pop chart (a claim that greatly depends on one's exact definition of heavy metal), the Los Angeles quartet became an overnight sensation thanks to their monster 1983 smash album Metal Health.

But Quiet Riot's road to success had in fact been long and arduous, and when their star power subsequently began too fade, their fall from grace was ironically accelerated by the man who was most responsible for taking them to the top: singer Kevin DuBrow. Unable to suppress his infamous motor mouth from assaulting many of Quiet Riot's peers, DuBrow gradually alienated his fans and fellow musicians, and in the face of plummeting record sales, faced the iniquity of being fired from his own band.

The dust eventually settled and DuBrow was able to resurrect Quiet Riot in the 1990s, but despite their best efforts, the once chart-topping band would remain forever exiled to the fringes of pop conscience, and what might once have been a full chapter in rock history has instead become little more than a footnote.

The story of Quiet Riot begins with vocalist Kevin DuBrow and guitarist Randy Rhoads, who started the band in 1975 after disbanding an earlier project named Violet Fox, and completed their first lineup with bassist Kelli Garni and drummer Drew Forsyth. Along with local scene contemporaries like Van Halen, Xciter, and London, the band thrilled audiences packing the L.A. nightclubs, but found it difficult to land a record deal during the disco-dominated late '70s.

Eventually securing a contract with Columbia Records in Japan, they recorded two moderately successful albums — a 1978 eponymous debut and 1979's Quiet Riot II, featuring new bassist Rudy Sarzo — before losing Rhoads (and later Sarzo) to Ozzy Osbourne's band (and later a tragic plane accident, rock & roll martyrdom, immortality, etc.).

Quiet Riot disbanded and DuBrow formed a new band under his own name, working with several musicians over the next few years before signing with independent Pasha Records, reverting to the Quiet Riot moniker, and entering the studio with new guitarist Carlos Cavazo and bassist Chuck Wright to start work on a new album. The year was 1982 and, following Randy Rhoads' well-documented demise, former henchman Sarzo quit Ozzy, pushed Wright out of the way, and brought friend and drummer Frankie Banali into the fold to complete the lineup and sessions for what would become 1983's Metal Health.

Driven by the irresistible double whammy of the title track's muscular bassline (reputedly played by Wright before his dismissal) and a raucous rendition of the old Slade chestnut "Cum on Feel the Noize," the album stormed up the U.S. charts, duly reaching the number one spot and going platinum five times over in the process. Their unexpected success shocked everyone, not least of which the bandmembers, who found it pretty hard to cope with sudden stardom and the pitfalls that came with it.

Pressured to capitalize on their hot streak, Quiet Riot was rushed back into the studio to whip together 1984's Condition Critical, but unsurprisingly, the album was little more than a weak carbon copy of Metal Health — even sinking so low as to include another chart-ready Slade cover in "Mama Weer All Crazee Now." Fans were unimpressed, and panic set in as the band watched the record quickly sliding off the charts to make way for fresher, up-and-coming L.A. glam metal contenders like Mötley Crüe and Ratt. An incensed DuBrow went on a rampage, incessantly slagging fellow metal bands, members of the press, and his own record company, in the process quite literally burning most every bridge he'd worked so hard to build.

Quiet Riot was never the same and eventually, DuBrow drove his fellow bandmates away with his mouth. Sarzo joined Whitesnake and Banali hooked up with Blackie Lawless and W.A.S.P.